Thursday, February 17, 2011

Plagiarism ... Not?

Is it plagiarism when you reuse your own work?

Yes. And no. So say those commenting on an unapologetic admission by Mike Rosen of The Denver Post that he lifted part of a column about supply-side economics from earlier work written for ... no, not The Denver Post, but the now-defunct Rocky Mountain News.

Comments (two) on Poynter's Romenesko were firmly on the "no" side as of Devil Machine press time:

"You can no more plagiarize yourself then you can visit an unsafe haven."

"Rewriting yourself is a nonscandal. I do it occasionally, and with links to the original versions, but even if I didn't, this goes beyond being a victimless crime; in the annals of journalism, this doesn't count as a crime at all."

Reaction on Denver's Westword blog, where the issue first was raised, was more nuanced (not to mention profane). Here's a sampling:

"He's stealing money from the DP which is paying him to produce original content."

"Would the current owner of the Rocky Mountain News archives be interested in Rosen's 'borrowing' of their copyrighted material?"

"Rosen didn't plagiarize, which makes the headline wrong. A better headline and focus for the story: 'Mike Rosen Recycles Column: Do Readers Deserve to Know They're Reading a Rerun?' That's the heart of the debate, whether Rosen needed to inform readers and his employer that he was recycling. Unfortunately, it's lost under a loaded buzzword like plagiarism, and everyone is arguing about that instead of what matters."

What a robust ethical discussion this situation would prompt in a student newsroom. Should you reuse your own material? Can you plagiarize yourself? If you reuse your own material, what do you owe readers in terms of transparency? What do you owe your former employer, for whom you originally wrote the material (better check out that copyright issue)?

Friday, February 11, 2011

Objectivity, Transparency and Diversity

A big story broke in medialand this week with AOL's purchase of The Huffington Post. Amid concerns about the long-term effect of media consolidation on journalism came this gem from HuffPost's Peter S. Goodman, which I found through Poynter's Romenesko:

“In the sort of journalism I am interested in practicing here, I want my reporters to reject the false idea that you simply poll people at both extremes of any issue, then paint a line down the middle and point to it as reality. We have to reject the tired notion that objectivity means the reader can get all the way to the bottom of the story and not know what to think. We do have to be objective in our journalism, but this does not mean we are empty vessels with no ideas of our own, and with no prior experiences that influence what we ultimately deliver … .”

Goodman’s column – which should be required reading for every reporter – focused mostly on political and business coverage, but its underlying messages apply to all forms of journalism. He was particularly eloquent about objectivity, transparency and diversity:

“… [O]bjectivity means that we conduct a fully open-minded inquiry. We do not begin our reporting with a fully-formed position. We do not adhere to the contentions of one think tank or political party or government organ as truth. We don't write to please our friends or sources or interest groups. Rather, we do our own reporting, our own independent thinking, our own scrutinizing. But at the end of that process, we offer a conclusion, and transparently so, with whatever caveats are in order. …

“And this sort of objectivity is the real argument for diversity in newsrooms – the need to ensure that we have people in place who can tell a greater range of stories, so that we collectively see and understand the breadth of the American experience.”

Amen, brother.

Thursday, February 3, 2011

Clear Like Mud

My husband got all worked up last night reading an article in The Washington Post about Dan Snyder, owner of the Washington Redskins, and his beef with a writer for a local alternative paper.

Upset about an unflattering cover story, Snyder wants the writer fired. In addition, Snyder is very interested in e-mails exchanged by the writer and a Post sports blogger.

These passages in The Post’s Feb. 2 article on the unfolding saga sparked the spousal outrage:

“According to several people with direct knowledge of the situation, Snyder's attorneys contacted The Post last week and asked the newspaper to preserve e-mails between Post sports blogger Dan Steinberg and McKenna.” (McKenna is the writer for the alt paper.)

“Steinberg declined to comment Tuesday, as did The Post.”

Among the “people with direct knowledge of the situation,” my husband reasoned, had to be someone with The Post. “And how can a paper not comment in its own story?” he demanded.

Excellent questions, aren’t they? Especially given that Washington City Paper’s coverage of the brouhaha has been much more transparent.

Looks like I have a good example for my future students on the merits of transparency and the pitfalls of anonymous sourcing.

Saturday, January 29, 2011

The Press Vs. The Media

Romenesko led me to this post in American University's The Eagle blog, which dovetails nicely with some of the reading I've been doing for the social roles class this week.

In a recent visit to the AU campus, Dan Rather articulated a distinction between "the press" and "the media." The press focuses on news with a constitutional mission at its core -- i.e., the press as watchdog -- while the media's coverage of news is designed to generate profit.

"We can't let journalism sacrifice itself on the altar of entertainment," he said.

There's some irony in Rather's comments, of course, given his departure from CBS after concerns were raised about documents he used on "60 Minutes" to question President George W. Bush's National Guard record. The former anchor couldn't resist a dig at CBS head Les Moonves for "sleazing up" the venerable news show after Rather left.

Still, I say "amen" to his take on press vs. media.

Thursday, January 20, 2011

Truth Is Hard

"You can't handle the truth," a character played by Jack Nicholson famously proclaimed in the movie "A Few Good Men." The same can be said for all too many reporters.

Getting to the truth takes work. It's time-consuming. It involves digging through paperwork, archives and files. It means more interviews and more sources. It requires tough questions, often of authority figures. And it can be very unpopular.

But the truth is out there (thank you, "X-Files").

In "The Elements of Journalism," authors Bill Kovach and Tom Rosenstiel suggest looking at journalistic truth as "a process ... or continuing journey toward understanding - that begins with the first story and builds over time. For instance, the first news stories signal a new event or trend. They may begin with an account of something simple - a meeting or a car accident. The time and place of the accident, the damage done, the types of vehicles, arrests, unusual weather or road conditions - in effect, the physical externalities of the case - are facts that can be recorded and checked.

"Once they have verified the facts," Kovach and Rosenstiel continue, "reporters try to convey a fair and reliable account of their meaning, valid for now, subject to further investigation."

Then comes the second story, in which sources respond and fill in the blanks. That leads to a third story. And so on. "Context is added in each successive layer," the authors write.

It strikes me that this wouldn't be a bad way to teach student journalists how to move from reporting news to finding truth. A series, each story building upon the last, might be less intimidating a prospect than a ginormous investigative piece.

Sunday, January 16, 2011

The Awareness Instinct

"People crave news out of basic instinct -- what we call the Awareness Instinct. They need to know what is going on over the next hill, to be aware of events beyond their direct experience. Knowledge of the unknown gives them security; it allows them to plan and negotiate their lives. Exchanging this information becomes the basis for creating community, making human connections." -- Bill Kovach and Tom Rosenstiel, "The Elements of Journalism"

Sometimes this means the audience wants to know all about Lindsey Lohan or Charlie Sheen. And sometimes this means the audience wants to know why 29 people were killed in a mining explosion, or what pushed a deeply troubled young man to open fire at a congresswoman's "meet the people" event.

I can work with that audience.

Tuesday, January 11, 2011

Return of the Devil Machine

I managed three whole posts (two of which I've deleted) before abandoning this blog. Now I'm reviving it to comply with a requirement for another course in my master's program. It's safe to say that this time, I'll last at least a couple of months. Grades are a wonderful motivator ...